Why teachers should use Project-Based Learning right out of the gate!
Why should teachers think about using Project-Based Learning right out of the gate during the 1st quarter of school? Here’s why.
Why should teachers think about using Project-Based Learning right out of the gate during the 1st quarter of school? Here’s why.
I just spent a whole bunch of time talking about PBL (Project-Based Learning). Yet, at the end of the day, a picture is worth a thousand words:

Just one question: Where were these cutting edge-thinkers back when I was in elementary/middle/high school?
Okay, college, too? (Think about it… people who majored in English Lit because they loved the Romantics versus frat boys at keg parties… you do the wedgie math!)
If this isn’t worth an A in some class at school then really… what is?
The Brilliance of Wedgie-Proof Underwear needs to be academically validated!
Great news today!! I was just notified that my most biggest writing project ever, was named a Finalist for the 2010 Association of Educational Publishers Distinguished Achievement Awards in the category of Reading and Language Arts.
I really only started writing educational curriculum for one reason: I hated the fact that I was a perpetual complainer about all the junk that was out there being peddled to my school and my students.
And living in a world where I saw my school – and so many others – get, pardon my French, “fleeced” by educational publishers that weren’t providing what I felt needed to be provided in order to 1) effectively reach our modern students and 2) smartly empower today’s teachers with the tools they really needed to be effective professionals was driving me bonkers.
And the prices that these folks were charging? Jeez, it made my head spin. (Thus the French term above). I always felt it could be done better.
But then I had to face the facts. If I really thought it could be done better, I would have to prove it. It’s easy to talk and complain. It’s harder to actually do something about it.
And so I decided to take a run at educational publishing myself.
When publishers found out that I was going to put together a curriculum of best practices from my own classroom that pretty much used all the strategies, methodologies, insights and tools I had developed over the years and years I’d spent as a classroom educator (and as avid student of schooling itself) it landed me a bunch of meetings. Everyone was interested in working with me on this endeavor.
My literary agent, however, thought I was a bit nuts.
“Why take a detour off of a great – and growing – career as a YA novelist to go write material for teachers? The work is going to be three times as hard and the money a lot less?”
Now my agent is great. Best professional partner I have in many, many respects. However, when he heard my reasoning (i.e. I wanted to “give back”, I thought I could make a real difference, people asked me all the time for materials as to how I do what I do to reap the results I get with my kids) he said, “Ya know what, you won me over. I can see you feel passionate and think this is going to be something meaningful and special. Let’s do it! Let’s see if we can’t change, or at least try to change a world that has become fossilized.”
And so, of all the publishers available to me, I struck a deal with a young and hungry group over at Haights Cross and Recorded Books. What they lacked in tremendous size, they made up for in desire, smarts and talent. They let me captain the ship, they worked hard to provide all the resources I’d need to produce something smashing, and they put the pedal to the metal from the boardroom on down. Essentially, they gave me their full support. (And who doesn’t want/need that?)
What I was able to publish with them is, what I feel, the best teaching I have ever done. The BookJam is my response to my own complaining.
And though it’s still less than a year old – and there are more phases planned in the project (I just finished the Poetry Jam and The Classics Jam meaning 7 BookJams are already out while 4 more BookJams are being written by me this summer for release in the next 6-8 months) well… how cool is it that the Association of American Publishers just gave me a little love for my efforts.
So what’s the lesson? (I am always looking for lessons.) As teachers, we are not as disempowered as we think we are to bring about change. I rolled up my shirts sleeves and got to work.
Our schools are starving for more of us to take the lead. Science teachers, math teachers, history, PE, art, music, Special Ed and on and on and on.
We can do better.
Or kids deserve better.
The status quo is not working.
Being named a finalist for such a prestigious award, what’s it really mean? It means I now have the credibility to encourage other educators to quit looking to politicians and administrators with political agendas for the classroom answers you need.
Take the reins and have at it folks… you have no idea where it will lead.
I didn’t.
People often ask me, “Do you have a “reason” for writing each of your books?”
Now that I think about it, I guess I do write all of my books for a reason. For each of them, I am, dare I say, “inspired”. After all, it takes quite some time to write a novel and the truth is, it’s long hard work that is very much like running a literary marathon. And just because as an author you have done it before, well… this doesn’t mean that you are not going to sweat, ache, groan and feel like throwing in the towel over the course of any new project just because you have been down the road before. You simply know the terrain better – but you still have to run 26.2 miles.
All authors do.
Writing a book, in this way, is like tackling the task of “eating an elephant”. And, as the old saying goes, the only way to eat an elephant is one bite at a time.
This is why for me, the first bite always has to be fierce inspiration. Why? Because the burning inspiration to write a story is going to die out. It’s gonna fade away. I’ve discovered that at some point, it’s like being on a sugar high; it’s sustenance that is going to get reduced to virtually nothing over the course of writing an entire novel other nutrition is going to be required to complete the book before the journey is through. Tenacity, fortitude, the determination to work a project to it’s rightful end – the hunger to climb Mount Everest if you will – these are the elements that get me through to the completion of books.
But the start of a new book or project? It always has to begin with an idealistic sense of, “Damn, this is gonna be freakin’ GREAT!”
Having said that, each of my writing projects thus has its origin located in a very specific, tangible place for me. There is a seed which has preceded every birth. (And I have now given birth more than 10 times.)
Over the course of the next week, I think I am gonna explore the reasons that inspired me to pen a few of my young adult novels.
Just when testing is knocking at the classroom door and the point to all of your educational efforts seems completely lost on the powers-that-be in the corridors of state decision making, along will come something that will restore your faith in why you do what you do and trigger a sense of hope.
School: too easy to give up on, too hard not to try and give your best yet again another day.
To wit, I cite this. It’s what the book report of the future will look like. (Heck, not the future — the book report of NOW!) Sent to me from Texas by a fan of one of my YA novels — a book report on Homeboyz.
Click here and turn up the volume.
Can you say, summer reading project? The sooner we start to blend text-to-world in a way that better connects text- to-technology, the sooner we are going to get more kids more actively engaged in their own educations. Truth is, the kids are eager and ready. It’s the adults in our school system who are holding the students back from doing this kind of stuff as book report.
The times they are a changin’.
Warning: This Ain’t Your Momma’s Summer Reading Project.